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Skill 295 Analyze guide

 Art 295 Study information Essay

Study ListArt 296G M01

THE ITALO-BYZANTINE TRADITION & EARLY RENAISSANCE

STUDY LIST 1

The Thirteenth 100 years

SCULPTURE

NICOLA PISANO (Classicizing Style)

Baptistery Pulpit s& d, Pisa, 1259-1260

The Annunciation and the Nativity, pulpit detail

GIOVANNI PISANO (Gothicizing Style)

Sant'Andrea Pulpit, Pistoia 1297-1301

The Annunciation as well as the Nativity, fine detail

PAINTING

Florentine School and the Emergence of Humanism:

GIOVANNI CIMABUE (Florence)

Madonna Enthroned with Angels and Prophets, c. 1280

GIOTTO PADA BONDONE (Florence)

Madonna Enthroned. c/ 1310 Tempera in wood

DUCCIO DI BUONINSEGNA (Siena)

Maest� Altarpiece, 1308-11 tempera about wood

Virgin mobile and Kid Enthroned with Saints

GIOTTO DI BONDONEArena Chapel (Scrovegni Chapel), Padua - c. 1305-06

AMBROGIO LORENZETTI

Allegory of Good Government: The consequence of Good Federal government in the City and the Country, 1338-39 Sala della Speed, Palazzo Comune, Siena, fresco

TERMINOLOGY:

Giorgio Vasari (1511-74), rinascita, Humanism, poet Francesco Petrarch (1304-74), Giovanni Boccaccio (1313-75), Marsilio Ficino, Theologia Platonica (1482), Pico della Mirandola (1463-94), Oration on the Dignity of Man (" the Manisfesto of Humanism”), Copernicus, Ptolemy, tempera, gesso, buon actual, Cenino Cenini, giornata, polyptych

REQUIRED READINGS AND VIDEOS STUDY LIST 1:

Skill and Framework: https://www.youtube.com/watch?v=2aUFB9hQncQ&feature=c4-overview-vl&list=PLugP0T-YRCWIdOejjUx8f61R7r_svtgb7 Upon Italian painting technique plus the new frame of mind toward character in the initial stage with the Renaissance. Holt, A Documented History of Artwork, I, (on reserve), " Procession on the Completion of Duccio's Majesty, ” pp. 134-136 and Cenino Cenini " The Craftsman's Handbook, ” pp. 136-150 Taylor, Learning to Look, " Painting, ” pp. 102-107

Stokstad (your textbook): Launch, pp 531-548.

NORTHERN THE EUROPEAN COUNTRIES:

EARLY AND LARGE RENAISSANCE

EXAMINE LIST two

Art in the French Ducal Court

THE LIMBOURG BROTHERS (Illumination)

Des Très Riches Heures du Duc para Berry, 1411-16

Painting in Flanders

ROBERT CAMPIN (Master of Flémalle)

The Mérode Altarpiece, The Annunciation, c. 1425-30s, petrol on real wood

JAN VEHICLE EYCK

Person in a Crimson Turban (Self-Portrait? ), 1433, oil on wood

Giovanni Arnolfini fantastic Bride, 1434, oil in wood

ROGIER VAN WELCHER WEYDEN

Deposition, 1435, essential oil on solid wood, Louvain, Belgium.

Early Netherlands

HIERONYMUS BOSCH

Garden of Earthly Delights, 1505-1515, essential oil on solid wood

TERMINOLOGY: Publication of Hours, atmospheric point of view, disguised symbolism, Giovanni Arnolfini and Giovanna Cenami, transformation.

CHARACTERISTICS OF NORTHERN RENAISSANCE PAINTING:

1 ) Disguised Significance

2 . Competence in the approach of essential oil

3. Extreme interest in realistic look reflected in a fascination with the appearance of objects some. Knowledge of point of view gained empirically

5. Enhancements in the artwork of portraiture

6. Insufficient interest in or perhaps influence via Classical longevity until the sixteenth century while using art of Albrecht Dürer.

REQUIRED PSYCHIC READINGS AND MOVIES STUDY LIST 2:

Observe the Following:

Jan Van Eyck: https://www.youtube.com/watch?v=B9vXathZikM&feature=c4-overview&list=UU3R-xanNgtoa8b7gpVexVlA Hieronymus Bosch: https://www.youtube.com/watch?v=Yx5M2um7zjM Read the Following:

Stokstad (your textbook), Phase 19

ITALY AND NORTHERN EUROPE:

EARLY ON RENAISSANCE, LARGE RENAISSANCE AND MANNERISM

EXAMINE LIST a few

Development of Intuitive Perspective, Thready, and Atmospheric or High What is User-friendly Perspective? (Northern Europe)

DIERIC BOUTS Previous Supper, Reproduction of the Ay Sacrament, 1464

What is Geradlinig Perspective?

PIETRO PERUGINO

Christ Delivering the Keys to Saint Philip, 1481-1483, Sistine Chapel, Vatican MASACCIO

Holy Trinity, c. 1428. Nuevo. Sta. Maria Novella, Florence " You are the things i once was, and

My spouse and i am what you will become. "

LEONARDO DA VINCI (il uomo universale)

The Last Dinner, c....

References: Emerging Romanticism in France

JACQUES-LUOIS DAVID, Napoleon Bridging the Saint-Bernard, 1800-1801

ANTOINE-JEAN GROS, Napoleon in the Plague House of Jaffa, 1804

JEAN-AUGUSTE-DOMINIQUE INGRES, Large Odalisque, 1814

THÉODORE GERICAULT, The Raft with the Medusa, 1818-1819

EUGÈNE DELACROIX, Liberty Leading the People: July 28, 1830, 1830

Portraiture: Realism and Fantasy

JOHN HENRY FUSELI (Switzerland), The Nightmare, 1781

M. -L. -É. VIGÉE-LEBRUN (France), Face of Marie Antoinette w Her Kids, 1781

FRANCISCO GOYA (Spain), Family of Charles IV, toll free

Romantic View of Characteristics

GASPAR DAVID FRIEDRICH (Germany), Abbey in an Oak Forest, 1809-1810

JOHN CONSTABLE (England), The Hay Wain, 1821

JOSEPH Meters

RICHARD BOYLE (LORD BURLINGTON), Chiswick Property, New London, uk, 1725

ENGLISH LANGUAGE INFORMAL BACKYARD

HENRY FLITCROFT, The Playground at Stourhead, Wiltshire, Great britain, 1744-65

NEO-CLASSICISM (ROMANTIC NEOCLASSICISM)

THOMAS JEFFERSON, Monticello, Charlottesville, Virginia, 1796-1809

ROMANTICISM – ENGLISH GOTHIC AND OTHER DESIGNS

HORACE WALPOLE, Strawberry Hill, Twickenham, 1749-1776

CHARLES BARRY AND AUGUSTUS WELBY In. PUGIN, Homes of Legislative house, London, 1836-1860

JOSEPH PAXTON, Crystal Structure, London, 1851 – material and glass

CHARLES GARNIER (NEO-BAROQUE), Opéra, Paris, 1861-1874

GUSTAVE EIFFEL, Eiffel Tower, Paris, 1887-1889

REQUIRED PSYCHIC READINGS AND VIDEOS STUDY LIST 9:

GUSTAVE COUBERT, The Stone Breaker, 1849, petrol on fabric

ROSA BONHEUR, The Horse Fair, 1853-1855

FROM REALISTIC LOOK TO IMPRESSIONIST

ÉDOUARD MANET (France), Le Déjeuner en allant sur L'Herbe (The Luncheon within the Grass), 1863

Olympia, 1863, oil in canvas

A bar in the Folies-Bergère, 1881-1882 oil upon canvas

THOMAS EAKINS (U. S. ), The Gross Clinic, 1875, oil about canvas

JAMES A

PIERRE-AUGUSTE RENOIR, Moulin entre ma Galette, 1876, oil about canvas

BERTHE MORISOT, Summer's Day, 1879, oil upon canvas

JANE CASSATT, Mom and Child, c. 1890, oil upon canvas

CLAUDE MONET, Rouen Cathedral: the Portal (in sun), 1894, oil in canvas

POST-IMPRESSIONISM

GEORGES SEURAT, A On the Afternoon on the island of st. kitts of La Grande Jatte, 1884-86 VAN GOGH, The Starry Night, 1889, oil about canvas

PAUL GAUGUIN, Mahan no Atua (Day of the God), 1894, oil in canvas

PAUL CÉZANNE, The Large Bathers, 1906, oil upon canvas

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